Master Fury's Don, recently did an interview with Chris Forbes of Metal-Core zine:
"MC: I read that your debut album ( hell party) was the 1st thing
that you put out? Why no demos? How as it going into the studio for the
MF: Yeah "Hell Party" ... for some reason people keep referring to it as a demo .. it's not .. it's a full fledged full length LP. We never had the intention of putting out anything less. An actual demo never crossed our minds and I'm glad to see you stating it as an album, thanks for that .. \mm/ We looked at demo's as a sell out, kissing the ass of the record industry just to make it. We were never about kissing any ones ass .. so no demo's .. it was all or nothing. Going into the studio was a trip because we really had an idea of
WHAT we wanted, but not the gear to do it .. and we also knew that in
order for anything to even sound good you had to go pro. And getting to work with who we got to work with made it that much more kick ass."
Read the full, in depth interview here at Metal-Core Zine. Also, this Review from Goul's Crypt appeared:
When you say thrash metal most people think 1980's USA. There are the
essential giants like Slayer, Overkill, Testament and Metallica, and the
hidden and forgotten gems like Holocross, Heretic, Powerlord and Master
Fury. Formed in 1986 they only ever released 2 albums, the rough Hell
Party album from 1988 and the barbarous Circles of Hate album from 1989.
They went on hold for an unknown number of years and then had a brief
reunion in 2010, but it wasn't before 2013 we would see another Master
Fury release, the two albums compiled on Circles of Hell by Contaminated
Master Fury has a very abrasive sound. Their approach to thrash metal is
on the chaotic side of things and more focussed on speed and coarseness
than anything else, making them probably one of the fastest bands at
the time. Through the metallic din of Master Fury's aggressive guitars
the amazingly precise riffs shine. Where Hell Party thrives on a coarse,
simplistic thrash recipe building up to and colliding in the final
mosh-inducing track "Riot" the second half of the compilation, the
Circles of Hate album, takes a more technical and commonplace approach
to the genre. The early material is distinguished by the near constant
speed with which it is furiously provided. On Circles of Hate Master
Fury were progressing as songwriters and were more comfortable with
slowing down once in a while in order to build up momentum for a
particularly epic solo or building atmosphere.
The band seems to have always favoured a trio-lineup consisting of the
guitars and vocals of Digg Rouze and various bassists and drummers. As
mentioned above Master Fury evolved as a band even if their was only 1
year between the 25-minute Hell Party and the slightly longer Circles of
Hate. On tracks like Corporate War and Life's a Bitch they give way for
their crossover tendencies fuelled by ferocious d-beats and
gang-shouts, a style that wasn't at all present of Hell Party. I could
imagine a song like Road Hog off of Hell Party being an early example of
the Motörhead/Venom-inspired punky speed metal that has recently made a
comeback, and there are more examples of songs that fit the bill as
really good metal songs, but with the production being so muddy and
deranged it's hard to make out anything other than a few riffs here and
there, making the tracks hard to tell apart.
Master Fury already perfectly sum up their material with their name.
Furious, fast as fuck thrash. The extremity of the albums put Master
Fury somewhere in the grey area between thrash and death metal that had a
couple of years prior been completely dominated by bands like Death and
Possessed. Master Fury may not be the authors of the most original or
memorable kind of thrash metal, but if you feel like getting your skull
pounded by uncompromising riffs, powerful drumming and screaming vocals
The Circles of Hell compilation is as good a way get your needs
fulfilled as any. The combination of the two tracks celebrate an
above-average band, though their material never quite achieves true
classic or gem status. 7/10 guitars.
Get a copy of the album now, for a measly $10.