Aaron Freeman and Matt Olivo's post Repulsion project Dejecta grind though three catchy, memorable and blistering songs on their second demo "The Sound of Dejecta." Easy to enjoy, abrasive but accessible, this is shit that the whole family can listen to at dinner while talking about how the benefits awarded by their eight-to-five job are too nuanced. You can throw this on in the background while drinking with friends and no one would get bothered by it. It sounds less like a Demo and more like Dejecta's half of a split that was never released.
The drums are clear and cutting like a broken shard of glass from the car window you broke with that baseball bat you stole from the irascible kid next door just to piss him off and egg him on. Bill Bradley is steady and precise, never overplaying. Matt and Aaron's guitars have a vintage, grating crush to them while Sean MacDonald's bass is mixed absolutely perfectly in the mix. You can hear him lumbering along and sitting nicely in the music's groove, punching out some bass licks worth making the three songs deserve replaying just to appreciate them. Lee William's vocals have attitude and a sense of urgency necessary and suitable for the pacing of the demo. He sounds like a more genuine and ballsy Tony Foresta (Municipal Waste). At other times, I am reminded of a less old school Scott Ruth during his "The Beast" era.
Though the album starts off a bit weak for me, "Shit For Brains" has its moments though I don't get dragged in until second track "Love You Madly" which starts off with an absolutely blistering metal riff then descends into some off the wall catchy thrash shit and a tripped out solo. If it only had a bit more impact it would be one of my favorite grindy tunes in a good long time. "Shit For Brains" is a good song though a bit drawn out for me. "But its only three minutes long man!!??" Shut up, I know what I mean. It should have been played faster. Got it? Good? Best part of the track is when Lee yells "Shit for brains!!" with a decisively vicious snarl. "Hearts of Darkness" ends the three tracks with a groovy, disjointed three minutes of grinding, disharmonious metallic aggression complete will a nifty bass fill and another noisy, kick ass solo. Well worth the ten minute playing time though one or two more songs would have made this absolutely necessary for die hard grinders.