Saturday, August 13, 2011

Lit-Ning Metal Box Restoration

Some people may know that I am an avid do-it-yourself-er. I figured that this would be an interesting post outside of my normal musical reviews and may come in handy for any metalhead interested in doing refinishing work on perhaps a metal music case, or whatever one might run across. Let's face it, metal music tends to impress upon us a sense of creativity and thriftiness. Regardless of what your reasoning for using this information may be, the steps are pretty much the same for any metal item. I will most likely do another post like this in the future just for my own personal interest as this blog has also become a journal of sorts for my creative endeavors anyway. So without further pause, this is the tale of how I turned a $1.00 tool box at the flea market into something worth much more.

The story behind this particular project starts at a trip to one of my favorite record collecting spots - the local flea market. Generally, I don't bother with the regular vendors, instead I go straight to the weekend warrior booths, your everyday Joe's selling random crap from their house. This one guy was selling an old Craftsman toolbox, a really nice metal one from who knows when for $2.00. I bought that one for the $2.00 and he threw in this one for an extra $1.00. Three dollars, why not. This particular box was in pretty decent shape apart from the rough looking paint job. This particular tutorial will be specifically for this tool box. I will detail how to remove the old paint, some light rust which coated the bottom of the box, and also the painting procedure. I will give reasoning for why I decided to do what I did as well. Of course, any questions regarding why I did what, or whatever, feel free to ask in the comments. Being my first post of this sort, I may not have pictures for every specific step but I will ultimately try to accompany most of the main steps with some sort of images. Anyway, those wondering about my record finds from that specific trip will be pretty disappointed. I picked up two VHS tapes, Tales from the Darkside Volume 4 and 1981's Ghost Story. Music wise, only two cassettes were to be nabbed that day, Dokken's Back for the Attack and Def Leppard's Hysteria. Anyway...

The first thing that I had to do with this particular tool box was to remove the old paint that looked worn, scratched, and generally deplorable in every way. There are two methods for removing paint like this from metal. The first would be to use a stripping agent such as Jasco's Paint Remover. I personally don't like using a paint remover for something I plan on repainting. Paint removers leave a residue which, if not removed correctly, will affect how the second coat adheres to the metal. You can always use an afterwash solution, but it's just another step and you wind up with a messy clump of liquid and paint. For this box, I decided to use a wire brush drill attachment to remove the paint on the box. First, I own several drills so there was no added cost to me having the necessary hardware. Strippers and an afterwash would add up to roughly $11.00 or more.

The wire brush attachment I bought was $2.50. I actually bought two, a smaller style attachment to reach into the corners inside the box. I got two attachments which I can use over and over again, in many different situations, for half the cost of the liquid solutions. The left brush is a coarser haired wire brush which I used on the flat surfaces of the box and generally everywhere that I could. It not only strips the paint faster than a fine grit brush would, but it also leaves a slightly rougher finish on the metal, giving the paint a better surface to adhere to. I used the finer wire brush (right) to do some small touch up on the metal hardware without removing too much of the patina. It ultimately resulted in a more consistent finish on the parts of the box that I knew I wasn't going to paint. For instance, the name plate on the top of the box, I wanted to leave with the oldish patina but there was some slight rust in the corners near where the handle is located. I used the fine brush to remove the rust, while leaving the patina.

I started removing the paint on the outside of the box. Of course, I wore a general purpose mask to prevent me from breathing in the small particles of paint which are never a good thing to breath in for many reasons, mostly Lead. It's also a good idea to wear some sort of eye protection. In my case, I also wore a pair of work gloves so should the wire brush come in contact with my hands, which did happen on several occasions, I would still have some sort of epidermis left. If you are really clumsy, you may want to also wear some sort of arm protection. I happened to briefly nick my arm with the brush and it left about seventeen thousand hairline scratches.



If you're a big strong tough guy like me, feel free to do this whole process in the nude, wearing no shoes, no face mask and while consuming your favorite cold beverage. Ultimately for my particular project the two most important liquids to have on hand were my 1/2 pint of paint and my 12oz bottle of Stone Pale ale. Of course, the other liquid which is necessary unless you want to keep buying paint brushes over and over again for eternity is a can of Mineral Spirits.




The finished exterior of my box. The exterior of my box took me approximately forty minutes to strip the paint from. If you really like the stainless steel look, you could actually just leave the box like this. It would be more susceptible to further rust without a protective coat however. For a real professional look, you would ideally want to use some sort of polishing powder or tool to give it a real smooth finish. Unfortunately, I did not take more pictures of this in progress. On the larger tool box, I will be sure to take more pictures, but then again, that is an entirely different project, quite a bit more difficult than this box. Anyway, with the outside of the box completely stripped I turned my attention to the inside of the box. Generally speaking the inside of something is always harder to work on than the outside. It is more difficult to get into the tighter spaces with tools specifically. I used an extension tool for my wire brush so that I had more room to maneuver within the box itself. There really is no right or wrong way to go about it. You can do the inside, then the outside, you can start on the lid or the bottom... whatever floats your canoe. I happened to start on the bottom first. The previous painter had painted the hardware so I made sure to get at that with the fine wire brush. To get in the corners, I actually couldn't fit the coarse brush so I just jammed the fine brush in the corners and removed the paint with that. There was a tiny small area of paint left there which I scraped off manually with some 60 grit sandpaper I had lying around.

Voila, the finished stripped box. All paint removed. The total time to remove all the paint on this box took about an hour and forty five minutes. I also think I took a minute of that to get a second beer. After finishing removing the old paint I took a damp rag and just removed any of the remaining dust from the metal so that I would have a completely clean surface to paint.

Before going ahead with painting the box, here are some more close up images of the box totally stripped. First, is the plate on the box showing the handle - very easily - disassembled.


I found it much easier to strip the stop of the box by removing the metal handle from it's holders just by using a little extra force to get it out. If you can remove hardware with ease, do it. Breaking down something into separate parts will make everything move along smoother and you don't have to worry about accidentally ruining a part of whatever you're working on.

Another picture of the plate on the box, showing the patina I wanted to leave as is. I felt it gave the box a bit of an antique-y feel and added a bit of detail to the box.

So we are ready to paint the box. I used a Purdy one inch brush for this project and for some of the really small details, I used hobby brushes - a #2 and #4. For this specific project, I saw no reason to prime the metal surface before applying my paint. The surface was already rough, due to the stripping of the older paint and I don't plan on having this box outside, in a situation that would endorse rust appreciation and the material was uniform across the whole project. If I planned on keeping this box in a place with high humidity, or outside or in an environment which would be more harsh than normal, using a clean metal primer would increase the already excellent protection from rust that your standard oil based enamel would provide. I would not use a latex based paint on a project such as this. For a small box like this, you only need a small amount of paint. I chose a gloss (shiny) finish and tinted the paint towards an industrial-gray-green color. Oil based paints are practically impossible to remove from clothing should you get some on a shirt or pants. Trust me, wear something you don't mind getting dirty.

I painted the inside of my box first. No reason to start there, I just thought it a good place to start. I specifically decided to leave the hardware with the metal showing. The rivets holding the company plate on the top of the box, the hinges and the front latch I left completely unpainted. I applied my first coat on the inside of the box and allowed for twenty-four hours to dry as directed on the can. I then proceeded to do a second coat to get a consistent finish across the whole surface. Be wary of applying too much paint at once to vertical surfaces. Over application will cause dripping marks. It's better to apply a thinner coat of paint, and do several thin coats and get a clean finish than to apply one massive thick coat and just get it done. On flat surfaces, this is not a problem and I often apply a thicker coat to surfaces such as the bottom of the box so I have less to touch up on the second coat. Be careful around detail spots such as hardware. If you are uncomfortable "cutting in" around tight spots with a larger brush, use a fine detail brush to get in the small areas. Remember, it's better to be careful than have to try and remove paint from a surface. Oil enamels are incredibly durable and a pain to remove from places where you don't want paint.

The most important part of doing a job like this, is making sure you clean your brushes properly after each coat. Paint brushes can be expensive, especially high quality brushes. Do not use a chip brush, or a cheap brush on a project like this. Chip brushes are generally one-time use brushes and have coarse hairs which leave unsightly hair marks on your finish. Cheap brushes work for a few coats but wear down when using chemicals to clean them - a required part of cleaning paints, particularly specialty paints such as oil based primers and enamels. For latex paints, economy brushes are acceptable at times but, if you use a premium quality brush, you will not have to buy brushes after each project and you can reuse them, over and over again.

For cleaning oil paints, mineral spirits an ideal solution to clean brushes. Pour a little amount into a cup, shake your brush around and you should be able to remove all the oils from the brush. After wards, rinse the brush in warm water with soap. Don't let the brush sit in the mineral spirits and rinse the brush immediately after painting. Oils are impossible to remove after they have dried and will ultimately cause you more trouble than is worth. You'll be forced to just buy another brush. After washing the brush, just let it hang on a peg hook or wherever to allow it to air dry.

I let the inside of the box dry completely before working on the outside. I did the outside part of the box in two steps. I applied paint to the upper three-quarters of the box first and did my recoat and then I finished the bottom of the box in the same manner. I then waited another twenty-four hours before reattaching the handle or handling the box. I cleaned my brushes after each coat, the same way as I described above and completed the box. The total project took me about four and a half hours excluding drying time. With drying time, I spent about 3 days, letting the painted parts dry for a full day between coats Here are some completed images of the tool box:
Finished Box without handle
Finished face plate without handle
Finished box with handle
Open Finished Box

Friday, August 5, 2011

Playlist 08/03/2011

01. Mercyful Fate - A Dangerous Meeting
02. Mortal Sin - Mayhemic Destruction (Request - Tony)
03. Dekapitator - Haunted By Evil
04. Slauter Xstroyes - Black Rose And Thorns
05. Pentacle - Storming Through A Hail Of Steel
06. Liege Lord - Rapture (Request - Lumberjack)
07. Judas Priest - Savage
08. Judas Priest - Beyond The Realms Of Death
09. Anthem - Fire N The Sword
10. Midnight Priest - Rainha Da Magia Negra
11. Obsession - Always On The Run
12. Manowar - Dark Avenger
13. Forefather - These Lands
14. Mental Aberration - Last Exit Suicide
15. Carcass - Death Certificate
16. Akercocke - Shelter From The Sand
17. Queensryche - Queen Of The Reich
18. Solstice - Hammer Of Damnation
19. Heathen - Open The Grave
20. Abazagorath - When The Skies Opened
21. Exxplorer - Metal Detectors
22. Manilla Road - The Riddle Master
23. Manilla Road - Shadow In The Black
24. Manilla Road - Voyager
25. Manilla Road - Necropolis
26. Manilla Road - Haunted Palace
27. Manilla Road - Shadow
28. Manilla Road - Helicon
29. Manilla Road - Mystification
30. Manilla Road - The Deluge

Thursday, July 21, 2011

Horrorment - Homemade Horror Promo

Every year, I get a free demo at Maryland Deathfest, that I find about as hard to put down as a cold bottle of my favorite beer. The first year I went I discovered the Bolt Thrower inspired machinations of the appropriately named Texas death metal fabrication known as War Master. Last year I'm pretty sure I came home with Nordor's His Ficticious Grandeur. I can't seem to remember where else I would have gotten it. And this year's demo of choice, plucked fresh from the steamy streets of Baltimore... Horrorment's Homemade Horror promo, appropriately dubbed "Dirty Rotten Old School Death Metal." I find it hard to turn away from such a proclamation, as meaningless, generic and vague as it may be.

So simply put, the CDr has two songs with all the instrumentation done by Daniel Karlsson and the hymns by Mike Chatman. Lead off track, Multiple Forms, starts out with a sinister brooding and doomy intro, slow but persevering, stomping it's way through the nether. It speeds up in feel after a few turns through the verse with some slight snare variation before once again slowing to a creepy metallic crawl. Haunting melodies of no particular sort meander across the landscape at times, and such leads begin the opening of second track "From Beneath," which shares the general format Horrorment have displayed in From Beneath's predecessor. On this demo, the atmosphere isn't ultimately too suffocating, letting subtly exist due to songwriting prowess and not by production faults. You know those albums which at first listen are full of tiny details that would almost be missed because of the production or mix, and thus are deemed subtle recordings... this isn't that.

Horrorment have something going on. I wish my copy had the awesome artwork on it but I'm just happy to be turned onto the band. I expect something awesome from them soon. The real tape release of this demo is available out there through Plague Tapes and contains and intro and outro as well. I've got no idea what they sound like but I sure hope that I get my tape copy soon. Look for an update to this review when I get the tape.

Thursday, July 14, 2011

Bobby Lucas Interview Uploaded

After an awesome night last Wednesday with some great anecdotes and tales, Bobby Lucas' interview is available now. You can get it by clicking Here or you can select it from the Audio Archive Here.

Here was the playlist:

01. Morbid Sin - Twisted Souls In Hell
02. Black Sabbath - Disturbing The Priest
03. Razor - Going Under (Request - Tony)
04. Overlorde - When He Comes
05. Destruction - Beyond Eternity
06. Destruction - Release From Agony
07. Morbid Sin - Injector
08. Fates Warning - Silent Cries
09. Accept - Demon's Night
10. Iron Maiden - Killers
11. Morbid Sin - Endangered Species
12. Exciter - Evil Sinner
13. Black Sabbath - Back Street Kids
14. Judas Priest - Solar Angels
15. Overlorde - Snow Giant
16. Metal Inquisitor - Run For Your Life
17. Morbid Sin - Beyond Wickedness
18. Whiplash - Spit On Your Grave
19. Malice - Godz Of Thunder
20. Overkill - Hammerhead
21. Seven Witches - Dying Embers
22. Black Sabbath - Die Young
23. Witchfinder General - Witchfinder General
24. Morbid Sin - 13th Child
25. Morbid Sin - Devil In The Flesh
26. Morbid Sin - The Cathedral (Of The Black Monk)

Once again, thanks to Bobby for coming on The Vault and for a great time! Be sure to check out Morbid Sin, Overlorde and Seven Witches and those in the NJ/NY area should be sure to get out to one of his shows with his Black Sabbath cover band - Covered In Black.

Wednesday, July 13, 2011

Orbis - Forest Illuminations / The War Trilogy

I expect Orbis will become the next ultra productive black/ambient project, releasing product not measured in copies but in shear tonnage. That's just my prediction. Until it comes to pass Orbis, a UK export, have successfully released two demos: Forest Illuminations - a sixteen minute track meant to create the feel of being in a fores - and the more recent, The War Trilogy, covering the subject of World War Two.

The Forest Illuminations tape, released through Darkness Shade Records, is a minimalists romp through a rainy night in the darkest forest in your town. A steady rain and occasional blasts of thunder, which sound more like that EMP Pulse weapon from Command And Conquer Tiberian Sun, are eternal companions throughout the duration of the demo. Also present is a synthesizer playing the same notes over and over with little variation. For ambient, it's a bit excessive in it's nothingness but I know that there are some out there who will like it. I find it just a bit too meandering and unfocused. Even walking aimlessly through a forest, you have to end up somewhere...All things set aside, Forest Illuminations is a pretty lovely tape with it's own personality, like both of Orbis' works. Unfortunately Google Translator is a pain to use to translate the Latin phrase inside the insert but it roughly translates to something about "faith and science and the rain in the darkness of the forest making it difficult to hear the oceanlike migration of souls." If anyone knows Latin, please send me a translation. I've enjoyed listening to this four or five times sitting in the dark while going to sleep. It's a great tape to fall asleep to, not because it's boring but because it is pretty soothing.

The War Trilogy is a different beast. More narrative than the Forest Illuminations tape, the concept spans three songs, thirty nine minutes, which includes some similarities to the first demo, but also some harsh raw black metal blasting moments such as in the beginning of opening track "Blitz" and the beginning of second track "D-Day Is Upon Us." Black metal wise, it's a cross between demo-era Besatt, Taake and noise. The arrangements on this demo are more complex and offer more replay value than the Forest Illuminations tape. Still, long synthesizer passages exist for those fond of the first tape's near vacant metallic stylings. You can find these passages on each track though the last half of The Trilogy's final piece, "Remember Those Lost In Combat..." and also the second half of that eighteen minute drone. Also present are samples of famous speeches such as Churchill's We Shall Fight On The Beaches speech and also a sample of a radio broadcast announcing Hitler's death. They deliver a welcomed textural contrast and are well placed, adding to the narrative of the tape and also to the release's overall atmosphere.

Where Forest Illuminations is adequate background music for a drugged out lonely night, and I assume that The War Trilogy could be also, Forest Illuminations is simply not as gripping as The War Trilogy, which is an exercise in how to produce ambient that offers the listener a chance to find their own meaning amidst the various sections and arrangements. You could follow the track's peaks and valleys to find yourself escaping the gunfire of the Polish invasion, or walking amongst the countless dead after witnessing the slaughter. You could feel the madness and hopelessness of a seemingly endless war outside your window only to stroll amongst the rows of crosses and buried, all the while hearing the explosions and gunshots forever ringing in your ears. This tape offers something unique and special and, for the price, is worth it for seekers of raw black ambient.

(I got only a promo of the War Trilogy so, this is what the promo looked like. The actual tape will, definitely not look like a disc. I promise. Don't try putting the disc in your cassette player.)

Friday, July 8, 2011

Contaminated Tones #1 Review: Bloodstained Vision

Thanks to Iskar for the review and for supporting the tradition of underground fanzines! Be sure to check out his blog Bloodstained Vision.

The original posting is here.

"I got to know about this zine after Neftaraka posted info about the review of their release in Metal Terus forum. After checking the blog, I contacted the editor, paypal the money and soon after that, I got this zine mailed from USA. Printing & xerox quality wise, I would say its excellent. The text are clear, the graphics are sharp eventough the editor is using background email/color for all pages in the zine. Only 5 interviews for this issue but the questions are long so there plenty to read there. So what else do this issue offer? Some reviews and some more reviews but made in "article" form like "Forgotten Existence" (reviews of bands and their releases. Not really 'old bands' as I thought the name would suggest though), "Apolion" (4 pages of review of this band discography, incl. pictures) and also article on the band called Blackspell (from Syria). The zine's pages are not numbered but table of content is provided at the editorial page (so you have to count to find page 23, to continue reading Nyctophobia). Not much to complain, well usually I will, if you ask about the font size. The font size which is a bit large than usual but I think its fit with the layout (Large picture is used so I think it fit). I enjoy reading this issue especially the review/article. My copy is hand-numbered 73/200. Just one thing that keep me wondering, my copy have a newspaper clip stapled on the last page. The clip is news about death of Traci Thompson (mortgage underwriter). What do that have to do with the zine or the editor? I do not know and not interested to ask either. If you read the info on the blog, it says this issue is pro-print but looks more like a laser xerox. Anyway this zine deserve your support."

Thursday, June 30, 2011

Bobby Lucas - Morbid Sin / Overlorde / Conspiracy Chronicles on The Vault



Be sure to find the nearest radio, computer, police antennae... whatever you need to listen in to next weeks episode of The Vault radio show when I interview long time New Jersey Heavy Metal vocalist Bobby Lucas. The show will air at 9pm EST and conclude at 12am EST. Anyone with a remote interest in old school metal should be sure to listen. Northern New Jersey residents can tune their knobs to 88.7FM while anyone else can listen through our internet feed.

Bobby Lucas' career as a top-tier vocalist began in the 80's fronting Morbid Sin whose demos became dearly held Jersey Metal artifacts. Their early discography recordings have recently been re-released through Stormspell Records and the band's first full length record, Sins Of The Flesh, found release through Stormspell Records last year.

Bobby also contributes vocals to the equally ancient Overlorde, who formed in the mid 80's and have received praise for their album, Return Of The Snow Giant, and also Conspiracy Chronicles, a progressive metal band with members of Dyers Eve, Dim Mak and drums from Matt Thompson of King Diamond fame.

History will be revealed.

Wednesday, June 29, 2011

Playlist 06/29/2011

01. Morbid Sin - Injector
02. Iron Maiden - Stranger In A Strange Land (Request - Lumberjack)
03. Artillery - Time Has Come
04. Loudness - Clockwork Toy
05. Judas Priest - Riding On The Wind
06. Midnight Chaser - Rough And Tough
07. Voivod - Ripping Headaches
08. Voivod - Voivod
09. Watchtower - Control And Resistance
10. Adversarial - Ruin Enshrined
11. Burial Invocation - Haunted Crypts Of The Ancient Dead
12. Morbid Sin - Cathedral Of The Black Monk
13. Helstar - To Sleep, Per Chance To Scream
14. Manilla Road - Taken By Storm
15. Manilla Road - The Ram
16. Manilla Road - Hammer Of The Witches
17. Whiplash - Snake Pit
18. Onslaught - Death Metal
19. Sabbat - Do Dark Horses Dream Of Nightmares
20. Suffocation - Seeds Of The Suffering
21. Horrorment - From Beneath
22. Entrenched - ICBM
23. Mandatory - Dawn Of Destruction
24. Overlorde - Snow Giant
25. Prajna - Electrocuted
26. Angel Witch - Angel Of Death (Request - Lumberjack)
27. Blind Guardian - Wizard's Crown
28. Jag Panzer - Eyes Of The Night
29. Carpathian Full Moon - Serenade In Blood Minor
30. Ripping Corpse - Beyond Humanity
31. Drugs Of Faith - Never Fail
32. Blizaro - Night Fumes
33. Von - Lamb
34. Morgion - A Slow Succumbing

Wednesday, June 22, 2011

Playlist 06/22/2011

01. Helloween - I'm Alive
02. Diamond Head - The Prince
03. Loudness - Crazy Night
04. Faith Or Fear - Rampage / Nothing Uncommon
05. Manilla Road - Shadow In The Black
06. Black Sabbath - Thrill Of It All
07. Slauter Xstroyes - The Stage
08. Holy Cross - Across The Fortress Of Asgard
09. Flotsam And Jetsam - Iron Tears
10. Enforcer - Live For The Night
11. Iron Maiden - Purgatory
12. Judas Priest - Riding On The Wind
13. Prajna - Lost In The Void
14. Gutwrench - Necrosis
15. Ripping Corpse - Seduction Of The Innocent
16. Adversarial - In A Night Of Endless Pain, War Came To Flood Its Heart
17. Death - Within The Mind
18. Evoken - Antithesis Of Light
19. Funebrarum - Kingdom Of Suffering Souls
20. Drowned - Conqueror Of The Land
21. Obituary - Killing Time
22. Dismember - Sickening Art
23. Gorematory - Sadistic Slaughter
24. Entrenched - ICBM
25. Avenger - Unable
26. Aeternus - Sentinels Of Darkness
27. Mortum - Awakening Of The Primordial Spirit
28. Absu - Stone Of Destiny
29. Darkthrone - Kathaarian Life Code
30. Velnias - Risen Of The Moor

Tuesday, June 14, 2011

Playlist 06/08/2011

1. Exciter - Heavy Metal Maniac (Request - Tony)
2. Aeternus - Warriors Of The Crescent Moon
3. Aeternus - As I March
4. Darkthrone - Transilvanian Hunger (Request - Mike)
5. Overkill - Deny The Cross (Request - Branka Vornki Zubzabz)
6. Egregor - Penetratum Jehova
7. Besatt - King Of Demons
8. Immolith - Slaughter The Legions
9. Razor - Speed Merchants (Request -Tony)
10. Entombed - Living Dead (Request - Naz)

Velnias Interview + Sovereign Nocturnal
11. Into Arms Of Oak
12. Risen Of The Moor
13. Sovereign Nocturnal

14. Black Sabbath - Hole In The Sky
15. Imynvokad - By Blood Does The Beast Arise
16. Grave Digger - Let Your Heads Roll
17. The True Endless - Sor Da Luf
18. Heathen - Goblin's Blade
19. Mephisto - Necromantical Rites
20. Possessed - Death Metal (Request - Tony)
21. Drudkh - Ukrainian Insurgent Army
22. Bahimiron - Allegiance To Self Wreckage
23. Burzum - Dunkelheit
24. Coroner - Skeleton On Your Shoulder
25. Coroner - Masked Jackal
26. Whiplash - Nailed To The Cross (Request - Lumberjack)

Happy Birthday TONY!

Velnias Interview - 05/17/2011

For those who wanted to check out the Velnias Interview I did at the end of last month, you can download the whole thing here. Also, be sure to check out the other interviews I've done on the archives page here. Thanks again to Petras and Velnias for an awesome show and great interview. Their album, Sovereign Nocturnal is worth finding and listening to over and over and over again.

Friday, May 20, 2011

Hellwitch Interview and Playlist



1. Dio - Night People
2. Heir Apparent - Screaming
3. Accept - Up To The Limit
4. Horrifier - True Metal Never Rusts
5. The Dillinger Escape Plan - Milk Lizard (Request - I forgot the guy's name)
6. Running Wild - Diamonds Of The Black Chest (Request - Lumberjack)
7. Dark Black - Doom Herald
8. Motorhead - Iron Fist
9. Manilla Road - Feeling Free Again
10. Pentagram - Into The Ground
11. Grand Magus - Kingslayer
12. Shadowkeep - The Trial Of Your Betrayal

Hellwitch Interview and tracks from Syzygial Miscreancy and Omnipotent Convocation
13. Hellwitch - Nosferatu
14. Hellwitch - Viral Exogence
15. Hellwitch - Sentient Transmography
16. Hellwitch - Mordirivial Dissemination
17. Hellwitch - Vicious Lividity
18. Hellwitch - Opiatic Luminance
19. Hellwitch - Irreverent Salvation
20. Hellwitch - Days Of Nemesis
21. Hellwitch - Purveyor Of Fear

22. Watchtower - Social Fears
23. Velnias - Risen Of The Moor
24. Primordial - The Mouth Of Judas
25. Sapremia - The Despair Of Winter
26. Sapremia - Spawn Of Desolation
27. Bolt Thrower - In Battle There Is No Law (Request - Lumberjack)
28. Von - Watain

The Hellwitch Interview has been added to the radio archives along with the tracks listed here. Enjoy! Thanks again Pat, Joe, Hellwtich and Vinny at Signature Riffs for a great show and interview.

Wednesday, May 18, 2011

Velnias, Nuklearenpest, Lone Summer, Ithi - 05/17/2011


... and there were fourteen of us in a circle worshiping by candlelight.

I've never been to Montclair's famed Meatlocker before. Maybe "famed" is the wrong word. But the venue has created quite a name for itself amongst this generations crowd of music lovers in New Jersey looking for their own CBGB styled hole in the wall - or in this case ground - that contains a certain smell and gritty aesthetic. The fire Marshall warning cites the legal limit for occupancy at forty-nine people. There weren't half that many people at a show that should have been packed, especially for being completely free and especially with the interest in black metal and noise recently. The entire show was worth every cent in gas even if only for Velnias, which wasn't the case.

Opening group Ithi was an electronic noise duo, consisting of Luke Krnkr and Joshua Convey, both armed with synthesizers and an army of effects pedals, loop stations and midi sequencers (I think) tied together with two miles of patch cables. I've never seen their kind of band live before and it was an unsettling experience to watch two guys behind a desk covered in gizmos wavering back and forth like horror movie archetypes. Speaking of such, musically and sonically I describe the duo as Cannibal Holocaust's soundtrack with distortion in John Wayne Gacy's basement. It was creepy but completely enjoyable. I would have been a bit frightened just to walk into their performance if no one else was in the room. Their record, The Persistence of Meaning, while a good representation of the band doesn't seem to capture the same energy the band displayed in the live setting but the vocals, which were difficult for me to hear from my position at the gig are more audible which is nice. I'm sure any fan of electronic noise would enjoy their record.

Lone Summer wasn't really my thing but would probably appeal to fans of bands like... Wolves In The Throne Room or Alcest or whoever. But, one of the highlights for me, was seeing Nuklearenpest for the first time. I've known Z. and A. for several years now. I thought their set was, immediately, loud, but once my ears adjusted, their brand of black metal was the perfect fit for the evening. Memorable, well written songs were briefly interrupted by a broken string which Z., after trudging through one track without, left his guitar on the side of the stage. Unnerved, second guitarist, H.L., handled all the guitar duties while Z. gave an impassioned performance on vocals.

Last band of the night, and who I was really there to see, aside from hanging out the Nuklearenpest dudes, was Velnias, the Colorado entity which take Funeral Doom, Black Metal and god knows what else, and lays waste to all. While on record, Velnias may be more reserved and meticulous, live, auditory impalement is the name of the game distorting their songs into body numbing ritualistic self mutilation. It's like listening to Lordamor's take on Burzum covering Under A Funeral Moon. Lights were turned off, the wall of amplifiers - most hand made by guitarist Petras - turned up, candles lit, and tracks from their album Sovereign Nocturnal were summoned amidst a small but loyal grouping of onlookers. I hope one day to see the video to this as I know that the band was given a black and white grainy bootleg styled video at the end of the night. If you have the chance, go witness them live.



I had the opportunity to interview Petras after the show as well. That interview will air on The Vault June 8th at 10PM EST.

Tuesday, May 17, 2011

Primordial - Redemption At The Puritan's Hand


2011 brings us a new Primordial album to follow up the critically acclaimed "To The Nameless Dead." And while "Redemption At The Puritan's Hand" is by no means an album to ignore, it also feels underwhelming compared to what I felt would be a near impossible album to summit. So in the end, after thinking about it for a few weeks now, I place "Redemption..." as tied for second place amongst their discography with The Gathering Wilderness, the first of the band's decidedly current-sounding albums. Spirit The Earth Aflame is right on their heels though. I still feel that "To The Nameless Dead" is their iconic release. It may be that a year from now, when I revisit this record in full, and give it two or three more listens, I may feel differently about it's place in the ranks of Primordial's past efforts but my feelings on the tracks will most likely remain and, something I thought I would never have to say about the band, is what will ultimately always drag the record down; Alan Nemtheanga's vocals do not live up to my expectations.

For me, and I feel the vast majority of Primordial fans, Alan separates Primordial from the vast majority of other bands. Of course the music is excellent but it is propelled to a different level with Alan's heartfelt vocals and unique melodic confidence. I remember reading that Alan was sick during recording this record and maybe that had an effect on his performance. To be blunt, I don't feel the vocals on many of the tracks flow naturally, there is a hesitation in the rhythmic patterns, a staggered movement through the verses usually bogs down what should be a smooth moving and confident proclamation. Of course, this is only apparent on some select tracks and I find my favorite tracks don't suffer from this uncomfortable stumbling across the vocal parts. At times, a trained ear can easily hear overdubbed vocal parts meant to thicken up what would be thin sounding vocal tracks. At times the vocal production on the record is sloppy, something that a record with so many eyes and ears focused on it should be careful to avoid.

Where his vocals disappoint, Alan has once again, with the aid of Irish poet Padraig Pearse on "Death Of The Gods," written a strikingly aware commentary with the lyrics on this record. Where "To The Nameless Dead" questioned why it is we fight and die for the concept of the nation, "Redemption At The Puritan's Hand" feels like a purging of feelings built up as a result and, I feel, possibly answers the questions posed on the previous record with a simple answer. To be free. There are scattered fragments of a single thought across the record all told through different metaphors. According to Alan on the Primordial website, he claims this is the "Death" album. Some would say death is just another road to freedom. Overall, the album is full of the same grandiose poetry we have come to expect from Primordial and in this regard Nemtheanga delivers. You can make your own interpretations of the lyrics of course.

The production is similar to The Gathering Wilderness with a bit better mixing job. It's not quite as treble-laden as To The Nameless Dead and I felt a stronger bass presence from Pól MacAmlaigh which I personally love because his bass lines across the record are phenomenal. I feel he plays a lot like Geezer Butler would in this kind of band, giving the album weight by building his lines around the rhythm of the drums and not following the guitars as we would expect. Simon O'Laoghaire is becoming a more elite drummer with every record. He isn't just playing drum parts to fill in. Rhythms are calculated. Simon, on this record, is the cue giver; deciding what moments are build up sections, what kind of a feel a certain moment on the record will have and practically conducting the dynamics of the record from behind the kit.


Ciáran MacUiliam and Micheál O'Floinn once again leave us with captivating melodies. Rhythmically, the record follows in the vein of "To The Nameless Dead" except for "God's Old Snake," which reminds me of their much earlier records like "Journey's End" and "Imrama." It's difficult to pick out a real difference in tone between this record melodically from the Previous record but I don't find as many memorable sections. I don't feel like Ciáran and Micheál have fallen prey to using more clean guitars or playing more leads, or doing any egotistical guitar showmanship. Honestly, Primordial never needed that.

A quick run through of the record would read like this if I were asked to give a few sentences on the album. Opener "No Grave Deep Enough" is pretty much a whole lot like opening previous album's opening track "Empire Falls" with a short clean buildup, heavy intense riff, some of the harsher vocals on the album, and basically blasting Primordial's now solidified style through a megaphone. "Lain With The Wolf," the album's second track and third track, "Bloodied Yet Unbowed" are both immediate hits owing their success to Alan's vocals which shine on these two tracks best of all. "Bloodied Yet Unbowed" feels like an attempt at doing another "Heathen Tribes" styled anthem and works well but not as well as "Heathen Tribes." I have been skipping fourth track "God's Old Snake," I just don't care for the verse at all - something about the combination of the drumming and guitars that feels awkward to me.

The album at this point could take two paths. It could turn instantly boring should Primordial not have something exceptional next. "Mouth Of Judas" is absolutely excellent. Notable in this song is the lead 3/4 in which is layered over another emotion vocal section. At first I dreaded that the track would ride the album into the ground. It starts very slowly. I assume the band chose the track specifically for this reason after the faster, more aggressive previous song. "Mouth of Judas" never gets boring though, it is like watching a slow moving tragedy with every sad moment lingering, pressuring its sadness into the listener. It's a weaving song though - the track builds on itself, it's previous melodies. The song instantly codifies Primordial's elite place in metal, perhaps even more so than any one track on "To The Nameless Dead" did.

"The Black Hundred" is another good track, this one faster, again shaking up the pacing of the record and offering a different texture utilizing some baritone vocals in the style of a 1940's propaganda audio sample. The title track on the record, "The Puritan's Hand" is completely forgettable. Doesn't do anything for me and is relegated to the ranks of filler tunes on good records. Final track "Death Of The Gods" I want to love so much but really is a prime example of the lack of vocal flow on the record. Every vocal phrase feels truncated and shortened. Great lyrics which could probably be photocopied and dropped out of helicopters into the middle east to increase the upheavals and protests in those countries against the dictators and leaders who kill their citizens and suck dry any hopes for a decent life.

Since this is getting longer than I wanted, a really succinct conclusion is this: Primordial fans will adore this record though probably agree it isn't better than "To The Nameless Dead." People who have never listened to the band before, wouldn't be discouraged from checking out this record as it really is a good representation of the band's work, at least their past four records. I think that this album will make most of the "best of 2011" lists and I'm sure it will propel Primordial into the vocabulary of most aware metal fans. I doubt that Eddie Trunk will take notice even though he claims to be one of the world's leading experts on all things metal. Metal Blade will probably cash in on this record too. Primordial's next album will do for Primordial what Ghost Reveries did for Opeth and pretty soon when they tour the USA with Enslaved and a random folk metal band being peddled as the next great thing, we will find ourselves squashed between fifteen year old overweight high school girls and their gothic boyfriends in HIM beanies.

Friday, May 13, 2011

Hellwitch Interview on The Vault

Next Wednesday tune in to check out my interview with Pat of Hellwitch on The Vault!

The Vault airs every Wednesday night, at 9PM EST only on WP88.7 Brave New Radio.

You can download this interview via the Audio Archives Page. 

Entrenched Interview and Playlist


NJ Death metal machine, Entrenched's drummer and vocalist Charles Snyder - live vocalist it seems - joined me on The Vault this Wednesday for a few hours of military jargon in regards to Preemptive Strike, the band's debut album. As usual, the band picked 95% of the playlist and by the end of the night, we played their entire new album. The full interview with their tracks included can be downloaded here or simply go to the radio archives page and download all The Vault interviews for free.

1. Entrenched - Intro (Mobilize)
2. Entrenched - Bred To Kill
3. Accept - Princess Of The Dawn (Request: Lumberjack)
4. Razor - Thrashdance (Request - Tony)
5. Suffocation - Funeral Inception
6. Entrenched - Landbrecher 666
7. Death - Symbolic
8. Whiplash - War Monger (Request - Tony)
9. Entrenched - ICBM
10. Entrenched - Frenzied Amputation
11. Children Of Bodom - Lake Bodom (Request - Ryan)
12. Sodom - Agent Orange
13. Pestilence - The Process Of Suffocation
14. Bolt Thrower - Cenotaph
15. Entrenched - Burnt And Destroyed
16. Blood Feast - Suicidal Mission (Request - Tony)
17. Hellwitch - Nosferatu
18. Carcass - Incarnate Solvent Abuse
19. Entrenched - Tooth And Nail
20. Morbid Angel - Chapel Of Ghouls
21. War Master - Chapel Of The Apocalypse
22. Entrenched - Anesthetic Death
23. Hail Of Bullets - Ordered Eastward
24. Asphyx - Death The Brutal Way
25. Decapitated - Spheres Of Madness
26. Gorematory - Zombie Slaughterfest
27. Gutwrench - Crawl
28. Napalm Death - I Abstain
29. Slaughterlord - Eulogy
30. Entrenched - Dropping The Tsar Bomb

31. Von - Watain
32. Hell Rot - Marginal

Once again a HUGE THANKS to Charles Snyder for coming on the show with me. I'll be sure to have him and, hopefully next time, guitarist Sean Fitzpatrick on the show again.

Friday, May 6, 2011

Entrenched Exclusive Interview


Next week be sure to tune in to The Vault on WP88.7 for an exclusive interview with black thrash up-and-comers Entrenched who will talk about their new album, Preemptive Strike, their favorite artists, and a whole lot more.

The Vault airs every Wednesday night, 9PM EST.

Pek - Shut Up And Suffer


Look up the definition of raw in the dictionary and Pek's name will be there. At least, a picture of this 2005 demo will appear. Shut Up And Suffer is a sonic bludgeonment of auditory torture not unlike Von. Militant precision, instantaneous transitions into riffs that barely make sense and songs that begin and end in the duration it takes a bullet to end a life. Pek seem to take the stance that if a song can get it's point across in the minimal amount of time, then that's all the song needs. You'll find no selfish three minute solos, no Burzumesque hypnotic expanses and no "epic" compositions. Pek want to kill you immediately.

So does it work? Sometimes. Opening track Shut Up And Suffer, which includes the demo's intro is pretty much an album summary. Riff leading into riff, total disregard for songwriting - not that I think the album needs it - and primitive crushing components one after another until main man Pek, decides the song is done. I already mentioned Von and it's something like that though with a less complete concept of song structure. The seven tracks though have moments of noteworthy interest. Second track, "Pek" - maybe Pek is a little full of himself - starts off with a triumphantly evil march feel, "Surrounded By Evil" is simply weird, with an unsettling intro that's tough to follow followed by the strongest combination of riffs on the demo creating the highlight of the track. Sixth track, Deceased Fuckbeast, aside from having one of the more comedic album titles to exist from a Belgian band, is actually somewhat enjoyable in one of those "What-the-hell" kind of ways.

It's a demo for sure, though an odd little relic of black metal nonconformity. Not everyone is trying to sound like someone else and this is an example of the many different stylistic oddities you'll come across in the genre. Will everyone like this? Fuck no! Do I? I still don't really know but Pek and his machine-like drummer Nefasto have carved a nice chunk of the black metal flesh out for themselves to occupy. There are a strong grouping of fans out there who are into this and I'm sure any one who gets soggy over Von, Beherit or the more unique side of black metal will enjoy Pek's brand of indifference.

Thursday, May 5, 2011

Playlist 05/04/2011

1. Mercyful Fate - The Oath (Request - Tony)
2. The Beast - Enemy Ace
3. Dokken - Into The Fire
4. Impaler - Crack That Whip
5. Overkill - Sonic Reducer
6. Overkill - Fatal If Swallowed
7. Type O Negative - Christian Woman (Request - Andrew)
8. Anthem - Black Eyed Tough
9. Helloween - I'm Alive
10. Coroner - Masked Jackal
11. Manilla Road - Out Of The Abyss
12. Sabbat - How Have The Mighty Fallen
13. Napalm Death - Suffer The Children
14. Sapremia - Spawn Of Desolation
15. Darkthrone - Under A Funeral Moon
16. Slauter Xstroyes - Battle Axe
17. Exciter - Iron Dogs (Request - Lumberjack)
18. Tad Morose - Lord On High
19. Sodom - Outbreak Of Evil (Request - Tony)
20. Morbid Angel - I
21. Pek - Surrounded By Evil
22. Virgin Black - Velvet Tongue
23. Nex - Over Fjell Og Gjennom Torner
24. Holy Cross - Twilight Of The Gods
25. Burzum - Morgenroede
26. Hammerfall - Heeding The Call
27. Teitanblood - Seven Chalices of Vomit And Blood
28. Stargazer - Pypes Of Psychosomatis
29. Primordial - Bloodied Yet Unbowed
30. Accept - Up To The Limit
31. Judas Priest - Freewheel Burning

Wednesday, April 27, 2011

Playlist: 04/27/11

1. Bolt Thrower - What Dwells Within (Request - Lumber)
2. War Master - Chapel Of The Apocalypse (Request - Lumber)
3. Primordial - Gods To The Godless
4. Primordial - Lain With The Wolf
5. Omen - Die By The Blade (Request - Tony)
6. Black Sabbath - Into The Void (Request - Tony)
7. Darkthrone - Summer Of The Diabolical Holocaust
8. Midnight Chaser - Rough And Tough
9. Midnight Chaser - Turn Your Head Around (Tank Cover)
10. Grave Digger - The Round Table
11. Absu - Four Crossed Wands
12. Sig:Ar:Tyr - Blood Of The North
13. Atrophy - Puppies And Friends
14. Immolith - Slaughter The Legions
15. Abazagorath - When The Skies Opened
16. Morbid Sin - Injector
17. Licht Erlischt - An Aimless Life
18. Immolation - The Weight Of Devotion (Request - Tony)
19. Manilla Road - Return Of The Serpent King
20. Motorhead - Bomber
21. Motorhead - I Know How To Die
22. Artillery - Time Has Come
23. Hellhammer - Massacra
24. Teitanblood - Seven Chalices of Blood and Vomit
25. 1349 - Atomic Chapel
26. Apolion - Inverted King
27. Immortal - Beyond The North Waves
28. Hell Rot - Goat Chapel
29. Burzum - Jeg Feller