Wederganger’s first full length release, Halfvergaan ontwaakt is a deliriously trippy foray into mid-tempo black metal that is infused with black n’ roll, done just the way it ought to be. Utilizing a slew of simple and straightforward riffs that you may expect to hear from bands like Craft or later Carpathian Forest, Wederganer isn’t afraid to drop tremolo picking entirely for long stretches. In their willingness to somewhat give up the usual wall of sound the band is able to explore a broad range of dark and unusual sounds. Most striking of all the band’s experiments are the showstopping clean vocals that, while used in moderation throughout the album, are still incredibly powerful and commanding.
Even setting the vocals aside for a moment (as hard as that may be) this is a really well done album that would be hard to forget even if it was an instrumental one. While bands like Glorior Belli have flirted with incorporating rock influences and been less than entirely successful, Wederganger keeps this album incredibly catchy without devolving into overreliance on trite rock licks. The dark and muffled guitar tone carries enough crunchy edge to make the tremolo picked sections entirely convincing and also lets the calmer moments have an added layer of depth. Even the interchange between the more psychedelic watery vibrato moments and traditional black metal is itself given an interlude with “Schimmenspel.” It’s song that relies on a lonely piano whose morosely reserved melodies echo parts the emotional palate found elsewhere on the album.
One really great thing about the riffs is just how bouncy they feel. I don’t mean this in a dumb rhythmic chugging kind of way, instead the riffs and staccato drumming often develop a genuine sense of leisurely flow. Even the vocal delivery has some rather interesting rhythmic patterns, which is rather unusual for black metal where the vocals normally serve as a melodic ornament. Another odd tidbit that works in the band favor is how the bass sometimes takes over the low riffs while one guitar does a high melody and the other is partly drowned out because of its subdued tone. This creates some space between the melody and rhythm, which strengthens the band’s rhythmic presence.
Now, onto the vocals. They start off amazing with a razor sharp black metal rasp brilliantly harmonized with deep somber clean vocals in the opening track. Then, with “Gelderse Drek” we get ripped apart by the vicious black metal vocals nearly on there own as the cleans add oos and aahs that create a theremin-like vibe. The absolute standouts are however “Dodendans” and “Vlammenvonnis” where you can just bask in the lush baritone notes. Despite how grand the vocals feel, they still fit well into the relatively subdued atmosphere on the album. It’s largely due to how well the lines are parsed into drawn out syllables and slow but interesting melodies. it’s so compelling that frankly the only reason I probably don’t have the lyrics memorized is because they are in Dutch (what English speaker couldn’t love words like Halfergaan and ontwaakt?)
While black n’ roll may sound like a terrible idea to some, this album is definitely a chance to see what can be done with it. It’s a unique experience and will show you how great music can come from a handful of simple riffs when a band has a bunch of talent and creativity. Wederganger have crafted an engaging, memorable, and vocally stunning album with Halfvergaan ontwaak.